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Title: Guts’ists’i
Artist: Stephanie One Spot
Medium: digital
Dadanasta da. I am Stephanie One Spot born and raised from the Tsuut’ina First Nation. I have always enjoyed land-based learning and being creative. My parents always encouraged me to venture out on the land, play, create, build. They showed me and my siblings the importance of not just traditional stories of our land and culture but learning the coyote trails, geology, geography, archaeology, and natural medicines in our territory. Being an entrepreneur at heart, I have always found ways to connect work to play to learning and producing something from that process. Even if it’s just taking care of the land, houses, childcare and art projects, there is always something to have been gained, learned and taught from everyday life.
My art practice over the years has changed, shifted, or narrowed down to more research based. I feel that if you can outgrow something and it doesn’t fit your vision any more than you must have learned all you can from it and its ok to let it go and move on. I first started out doing silhouettes, figures and painting them onto spray painted backgrounds. I also really like photography, so I would take pictures of everyday things, animals, events, culture events and powwow. Then when Covid hit, I started moving towards more digital art and refining my photographs and selling the prints. After researching traditional stories and my Dene routes, I started delving into more experimental processes and ways to document my findings.
It means a lot to me to be recognized through my art and storytelling. To get opportunities like this for the exposure alone helps my voice and art reach different audiences who might be interested in learning about myself, my art, my story, and my roots.
Title: Guts’ists’i
Artist: Stephanie One Spot
Medium: digital
Dadanasta da. I am Stephanie One Spot born and raised from the Tsuut’ina First Nation. I have always enjoyed land-based learning and being creative. My parents always encouraged me to venture out on the land, play, create, build. They showed me and my siblings the importance of not just traditional stories of our land and culture but learning the coyote trails, geology, geography, archaeology, and natural medicines in our territory. Being an entrepreneur at heart, I have always found ways to connect work to play to learning and producing something from that process. Even if it’s just taking care of the land, houses, childcare and art projects, there is always something to have been gained, learned and taught from everyday life.
My art practice over the years has changed, shifted, or narrowed down to more research based. I feel that if you can outgrow something and it doesn’t fit your vision any more than you must have learned all you can from it and its ok to let it go and move on. I first started out doing silhouettes, figures and painting them onto spray painted backgrounds. I also really like photography, so I would take pictures of everyday things, animals, events, culture events and powwow. Then when Covid hit, I started moving towards more digital art and refining my photographs and selling the prints. After researching traditional stories and my Dene routes, I started delving into more experimental processes and ways to document my findings.
It means a lot to me to be recognized through my art and storytelling. To get opportunities like this for the exposure alone helps my voice and art reach different audiences who might be interested in learning about myself, my art, my story, and my roots.
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Title: NAKII PIMBAHTAAHK ANOOSH
Artist: Paityn Savoie
Medium: digital
Savoie is a two-spirit illustrator with ancestral roots in both Métis and Prairie Cree bands. Savoie grew up in Treaty No. 1 (Winnipeg) and currently lives in Treaty No.7 (Calgary).
After obtaining a bachelor's degree in illustration design and a minor in printmaking from Alberta University of the Arts, Savoie has passionately embraced art reflective of a deep commitment to their ancestral inheritance.
“My artistic practice is rooted in my heritage, celebrated for its spiritual and healing properties, truly a medicine for the soul,” describes Savoie. “In my work, I focus on depicting the flora and fauna that have personally impacted me, avoiding subjects outside my direct experiences. A distinctive feature of my work is the use of power lines, or wiggly lines radiating from the bodies of the subject. These lines are usually accompanied with lines that highlight vital organs; creating a diagram effect revealing the connected workings of the Creator. I enrich the space around central figures with symbolic elements like intertwined tendrils or divided circles, representing the spirit and the duality of the colonial world. These symbols invite viewers into a deep exploration of my work. Through this visual language, I aim to connect and offer insights into both personal experiences and broader societal themes.”
Having art showcased through the Indigenous Art program is profoundly meaningful to Savoie.
“It provides my work with recognition and validation of my cultural expression. This opportunity allows me to share more about myself and my perspective on a broader platform, a chance to contribute to the cultural dialogue, fostering understanding.”
Title: NAKII PIMBAHTAAHK ANOOSH
Artist: Paityn Savoie
Medium: digital
Savoie is a two-spirit illustrator with ancestral roots in both Métis and Prairie Cree bands. Savoie grew up in Treaty No. 1 (Winnipeg) and currently lives in Treaty No.7 (Calgary).
After obtaining a bachelor's degree in illustration design and a minor in printmaking from Alberta University of the Arts, Savoie has passionately embraced art reflective of a deep commitment to their ancestral inheritance.
“My artistic practice is rooted in my heritage, celebrated for its spiritual and healing properties, truly a medicine for the soul,” describes Savoie. “In my work, I focus on depicting the flora and fauna that have personally impacted me, avoiding subjects outside my direct experiences. A distinctive feature of my work is the use of power lines, or wiggly lines radiating from the bodies of the subject. These lines are usually accompanied with lines that highlight vital organs; creating a diagram effect revealing the connected workings of the Creator. I enrich the space around central figures with symbolic elements like intertwined tendrils or divided circles, representing the spirit and the duality of the colonial world. These symbols invite viewers into a deep exploration of my work. Through this visual language, I aim to connect and offer insights into both personal experiences and broader societal themes.”
Having art showcased through the Indigenous Art program is profoundly meaningful to Savoie.
“It provides my work with recognition and validation of my cultural expression. This opportunity allows me to share more about myself and my perspective on a broader platform, a chance to contribute to the cultural dialogue, fostering understanding.”
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Title: The Matriarch Blanket
Artist: Jadyn Fischer-McNab
Medium: digital
Jadyn Fischer-McNab is a Cree artist who was born and raised in Mohkinstsis (Calgary), Alberta, on Treaty 7 territory. Jadyn studied at the University of Calgary, where she received bachelor degrees in kinesiology and education in 2015 and 2018 respectively. Jadyn has worked as a full-time junior high school teacher since she graduated in 2018. Jadyn published her first illustrated children's book "Brave Like the Buffalo" in September 2024. She is passionate about breaking down barriers and educating others by incorporating Indigenous ways of knowing and being into her art, her teaching, and her life. Struggling with identity and internalized racism throughout her life, Jadyn aspires to use creativity and art to inspire all to be unapologetically authentic.
Title: The Matriarch Blanket
Artist: Jadyn Fischer-McNab
Medium: digital
Jadyn Fischer-McNab is a Cree artist who was born and raised in Mohkinstsis (Calgary), Alberta, on Treaty 7 territory. Jadyn studied at the University of Calgary, where she received bachelor degrees in kinesiology and education in 2015 and 2018 respectively. Jadyn has worked as a full-time junior high school teacher since she graduated in 2018. Jadyn published her first illustrated children's book "Brave Like the Buffalo" in September 2024. She is passionate about breaking down barriers and educating others by incorporating Indigenous ways of knowing and being into her art, her teaching, and her life. Struggling with identity and internalized racism throughout her life, Jadyn aspires to use creativity and art to inspire all to be unapologetically authentic.
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Title: IKWE
Artist: Georgina Metzler
Medium: digital
Ikwe (Anishinaabemowin for Woman) is a woman outlined in green and blue in front of a red and orange star blanket. The artist used red to represent missing and murdered Indigenous women, girls, two spirits and men, and orange for the residential school children. She is standing defiant and we can see-through to the quilt underneath which represents resilience. We are still here.
Boozhoo! Georgina ndizhinikaaz makwa nidoodem anishinaabwe niin animikii-wajiw doonjii, Mohkinstsis niindaa. In other words, hi, my name is Georgina, I’m Anishinaabe (Ojibway) from Thunderbird Mountain (Fort William First Nation, Thunder Bay, Ontario) but I now live in Mohkinstsis or Elbow (Calgary) and I’m Bear Clan. My Dad is Anishinaabe and my mom is Viking with a splash of German. Unbeknownst to me and my mother, my father was blocked from me since I was born, but that’s another story. I found them through a photo my sister Dee posted on the weather network of Sundogs and I've been able to start reclaiming myself ever since. Starting with learning our language. Language holds culture, it’s all in there. So I try to incorporate simple things, like a formal greeting. I’ve lived here, in Calgary, since I was a teenager and I graduated from Alberta University of the Arts in 2021, with a Bachelor of Design in Advertising and Graphic Design.
Title: IKWE
Artist: Georgina Metzler
Medium: digital
Ikwe (Anishinaabemowin for Woman) is a woman outlined in green and blue in front of a red and orange star blanket. The artist used red to represent missing and murdered Indigenous women, girls, two spirits and men, and orange for the residential school children. She is standing defiant and we can see-through to the quilt underneath which represents resilience. We are still here.
Boozhoo! Georgina ndizhinikaaz makwa nidoodem anishinaabwe niin animikii-wajiw doonjii, Mohkinstsis niindaa. In other words, hi, my name is Georgina, I’m Anishinaabe (Ojibway) from Thunderbird Mountain (Fort William First Nation, Thunder Bay, Ontario) but I now live in Mohkinstsis or Elbow (Calgary) and I’m Bear Clan. My Dad is Anishinaabe and my mom is Viking with a splash of German. Unbeknownst to me and my mother, my father was blocked from me since I was born, but that’s another story. I found them through a photo my sister Dee posted on the weather network of Sundogs and I've been able to start reclaiming myself ever since. Starting with learning our language. Language holds culture, it’s all in there. So I try to incorporate simple things, like a formal greeting. I’ve lived here, in Calgary, since I was a teenager and I graduated from Alberta University of the Arts in 2021, with a Bachelor of Design in Advertising and Graphic Design.
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Title: Aohkii Iihtaipatapiiyop
Artist: AJ Kluck
Medium: digital
AJ Kluck is an artist! They are Okanagan and Irish. They like to work and sit and laugh and play and think. Lately AJ has been understanding their reality by connecting with people, making metal objects, and playing piano (though not that well). Sometimes they can be annoying, sometimes they can be charming, it’s really a toss up. Overall though, they try not to be late, and they try their best to make the world a better place.
Title: Aohkii Iihtaipatapiiyop
Artist: AJ Kluck
Medium: digital
AJ Kluck is an artist! They are Okanagan and Irish. They like to work and sit and laugh and play and think. Lately AJ has been understanding their reality by connecting with people, making metal objects, and playing piano (though not that well). Sometimes they can be annoying, sometimes they can be charming, it’s really a toss up. Overall though, they try not to be late, and they try their best to make the world a better place.
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Title: Indigenous Lives Matter
Artist: Autumn Whiteway
Medium: digital
Inspired by “Rosie the Riveter," “Indigenous Lives Matter” is dedicated to the Indigenous matriarchs on the frontlines, fighting for the Indigenous Lives Matters and Land Back movements, while working tirelessly as water protectors. They are not only trying to protect these resources for Indigenous peoples, but for everyone. The image also serves as a reminder that Indigenous lives are no less valuable than others.
Title: Indigenous Lives Matter
Artist: Autumn Whiteway
Medium: digital
Inspired by “Rosie the Riveter," “Indigenous Lives Matter” is dedicated to the Indigenous matriarchs on the frontlines, fighting for the Indigenous Lives Matters and Land Back movements, while working tirelessly as water protectors. They are not only trying to protect these resources for Indigenous peoples, but for everyone. The image also serves as a reminder that Indigenous lives are no less valuable than others.
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Title: Warriors Spirit - Wîchîspa Oyade
Artist: Andrew Holloway
Medium: digital
My name is Andrew Holloway and I am a member of the Stoney Nakada First Nations in Morley, Alberta. I graduated from the University of Arts in Calgary, Alberta with a Bachelor's in Fine arts and metalsmithing. My education has been much longer than just a few years at university, as I started learning traditional crafts from my grandparents at a very young age. Since graduating, I have opened my own business called Yethka Metal Works. I predominantly work with metal along with various other mediums.
I love creating unique and time-lasting pieces, incorporating some of my culture into each piece. I create wearable metal art as well as large-scale sculptures. A few of my most recent pieces have been for the new BMO Centre in Calgary, this piece represents the history that not only my family has with the Calgary Stampede, but also the history of Indigenous people and the Stampede. I also have a sculpture in Arts Commons in Calgary, representing a cultural homage to the Irish and Chippewa peoples. Along with many other works throughout Alberta.
All pieces I create tell a story, a story from then and a story from now. More importantly, it shares a tale of being indigenous in Canada. My journey can be followed through social media accounts under Yethka Metal Works.
Title: Warriors Spirit - Wîchîspa Oyade
Artist: Andrew Holloway
Medium: digital
My name is Andrew Holloway and I am a member of the Stoney Nakada First Nations in Morley, Alberta. I graduated from the University of Arts in Calgary, Alberta with a Bachelor's in Fine arts and metalsmithing. My education has been much longer than just a few years at university, as I started learning traditional crafts from my grandparents at a very young age. Since graduating, I have opened my own business called Yethka Metal Works. I predominantly work with metal along with various other mediums.
I love creating unique and time-lasting pieces, incorporating some of my culture into each piece. I create wearable metal art as well as large-scale sculptures. A few of my most recent pieces have been for the new BMO Centre in Calgary, this piece represents the history that not only my family has with the Calgary Stampede, but also the history of Indigenous people and the Stampede. I also have a sculpture in Arts Commons in Calgary, representing a cultural homage to the Irish and Chippewa peoples. Along with many other works throughout Alberta.
All pieces I create tell a story, a story from then and a story from now. More importantly, it shares a tale of being indigenous in Canada. My journey can be followed through social media accounts under Yethka Metal Works.
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Title: Tamaani | Here portable collection
Artist: 12 artists from different regions of Nunavut
Medium: stone sculptures
Teach students about the rich art and culture of the Inuit people of Canada. This collection is available for lending to teachers, schools and educational organizations in Calgary and area. Learn more
Photography by Alana Bluebird-One Spot
Title: Tamaani | Here portable collection
Artist: 12 artists from different regions of Nunavut
Medium: stone sculptures
Teach students about the rich art and culture of the Inuit people of Canada. This collection is available for lending to teachers, schools and educational organizations in Calgary and area. Learn more
Photography by Alana Bluebird-One Spot
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Title: Ulu and All, 2022
Artist: Em Forbes, Caribbean-Inuk
Medium: digital
This digital artwork was licensed for use in City documents, reports and artist calls. The purpose is so Indigenous artists can see their culture represented in City documents and are more inclined to apply for public art opportunities.
Title: Ulu and All, 2022
Artist: Em Forbes, Caribbean-Inuk
Medium: digital
This digital artwork was licensed for use in City documents, reports and artist calls. The purpose is so Indigenous artists can see their culture represented in City documents and are more inclined to apply for public art opportunities.
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Title: Outdoor Ice
Artist: Candice Ward
Exhibition year: 2021-2022
Six images from the Outdoor Ice series by Indigenous photographer, Candice Ward were exhibited in Calgary’s Open Spaces windows on the Centre Street LRT platform on 7 Avenue between 1 Street S.E. The diversity of the athletes who took part in this series and the gender equality in the set is what makes this set special.
Learn more about the Open Spaces exhibit.
Title: Outdoor Ice
Artist: Candice Ward
Exhibition year: 2021-2022
Six images from the Outdoor Ice series by Indigenous photographer, Candice Ward were exhibited in Calgary’s Open Spaces windows on the Centre Street LRT platform on 7 Avenue between 1 Street S.E. The diversity of the athletes who took part in this series and the gender equality in the set is what makes this set special.
Learn more about the Open Spaces exhibit.
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Title: Past, Present and Future
Artist: Kalum Teke Dan
Year completed: 2021
The pieces, titled Past, Present and Future aim to represent the rich history of the land on which Calgary sits and how all people are working to understand the wrongs of the past and provide a way forward for the future.
Learn more about Kalum Teke Dan
Title: Past, Present and Future
Artist: Kalum Teke Dan
Year completed: 2021
The pieces, titled Past, Present and Future aim to represent the rich history of the land on which Calgary sits and how all people are working to understand the wrongs of the past and provide a way forward for the future.
Learn more about Kalum Teke Dan
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Title: Dagumisistiy Wusa Trok’a Yasdar
Artist(s): AJA Louden, Aj Starlight, Tsuut’ina Nation youth
Year completed: 2019
DAGUMISISTIY WUSA TROK’A YASDAR translates to “Everybody preserve walking together into the future”. This work was part of the 2019 Street Art Program for Youth, where members of the Tsuut’ina Nation Isgaakuwa Gumistiy youth program attended a graffiti and street art workshop.
AJA Louden and Aj Starlight led the workshop and produced the final mural that was installed on Bullhead Hall. The mural draws inspiration from stories from Elders and the youth from the workshop. It honours the rich culture and territory of Tsuut’ina First Nation.
Title: Dagumisistiy Wusa Trok’a Yasdar
Artist(s): AJA Louden, Aj Starlight, Tsuut’ina Nation youth
Year completed: 2019
DAGUMISISTIY WUSA TROK’A YASDAR translates to “Everybody preserve walking together into the future”. This work was part of the 2019 Street Art Program for Youth, where members of the Tsuut’ina Nation Isgaakuwa Gumistiy youth program attended a graffiti and street art workshop.
AJA Louden and Aj Starlight led the workshop and produced the final mural that was installed on Bullhead Hall. The mural draws inspiration from stories from Elders and the youth from the workshop. It honours the rich culture and territory of Tsuut’ina First Nation.
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Title: Mohkinstsis
Artist: Autumn Whiteway
Medium: digital
“Mohkinstsis” is a piece based on the artist's gratitude to call these lands “home." It features the meeting of the Bow and Elbow Rivers, which made Mohkinstsis an area of importance, with a long history of habitation prior to colonization. The eagle, the bison, the beaver and the bear were important relatives that occupied this territory, as were the finned ones. Wild roses and rose hips border this artwork, and lodges are shown to represent the importance of this area as a gathering place.
Autumn Whiteway (Night Singing Woman) is a Saulteaux/Métis archaeologist, artist, curator and educator based in Mohkinstsis (Calgary), Alberta. She is a member of Berens River First Nation in Manitoba but grew up in Treaty 7 territory. Autumn explores Indigenous themes from a contemporary perspective through digital art, painting, installation, and photography. Her painting and digital art is primarily focused on the heavily symbolic Woodland Style of art, while her photographic practice and installation is used as a form of activism to highlight Indigenous issues. Her curatorial work focuses on elevating the voices of Indigenous creatives through a series of Indigenous focused exhibitions, and she presently works with Glenbow Museum and Making Treaty 7 Cultural Society. She is a permit-holding archaeologist in Alberta and has an M.A. in Anthropology from the University of Manitoba (2017), a B.Sc. in Archaeology (2011), and a B.A. in Greek and Roman Studies (2011).
Title: Mohkinstsis
Artist: Autumn Whiteway
Medium: digital
“Mohkinstsis” is a piece based on the artist's gratitude to call these lands “home." It features the meeting of the Bow and Elbow Rivers, which made Mohkinstsis an area of importance, with a long history of habitation prior to colonization. The eagle, the bison, the beaver and the bear were important relatives that occupied this territory, as were the finned ones. Wild roses and rose hips border this artwork, and lodges are shown to represent the importance of this area as a gathering place.
Autumn Whiteway (Night Singing Woman) is a Saulteaux/Métis archaeologist, artist, curator and educator based in Mohkinstsis (Calgary), Alberta. She is a member of Berens River First Nation in Manitoba but grew up in Treaty 7 territory. Autumn explores Indigenous themes from a contemporary perspective through digital art, painting, installation, and photography. Her painting and digital art is primarily focused on the heavily symbolic Woodland Style of art, while her photographic practice and installation is used as a form of activism to highlight Indigenous issues. Her curatorial work focuses on elevating the voices of Indigenous creatives through a series of Indigenous focused exhibitions, and she presently works with Glenbow Museum and Making Treaty 7 Cultural Society. She is a permit-holding archaeologist in Alberta and has an M.A. in Anthropology from the University of Manitoba (2017), a B.Sc. in Archaeology (2011), and a B.A. in Greek and Roman Studies (2011).
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Title: Mourne
Artist: Jade Nasogaluak Carpenter
Exhibition Year: 2017
Indigenous curator, Jessie Ray Short selected this work titled Mourn by Jade Nasogaluak to be exhibited in Calgary’s Open Spaces windows on the Centre Street LRT platform on 7 Avenue between 1 Street S.E.
Mourn is a two-piece installation that consists of a line of beaded text that reads “you can mourn someone who is still alive” and a painting of a ghost. These two pieces work in conjunction to create a platform for the audience to consider their traumas and offer an affirmation to passersby. Mourn speaks to intergenerational trauma, seeks to communicate loss and acceptance, and considers the performative aspect of lamentation by situating the private into the public.
Learn more about the Open Spaces exhibit.
Title: Mourne
Artist: Jade Nasogaluak Carpenter
Exhibition Year: 2017
Indigenous curator, Jessie Ray Short selected this work titled Mourn by Jade Nasogaluak to be exhibited in Calgary’s Open Spaces windows on the Centre Street LRT platform on 7 Avenue between 1 Street S.E.
Mourn is a two-piece installation that consists of a line of beaded text that reads “you can mourn someone who is still alive” and a painting of a ghost. These two pieces work in conjunction to create a platform for the audience to consider their traumas and offer an affirmation to passersby. Mourn speaks to intergenerational trauma, seeks to communicate loss and acceptance, and considers the performative aspect of lamentation by situating the private into the public.
Learn more about the Open Spaces exhibit.
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Title: Ekosi
Artist: Tamara Lee-Anne Cardinal
Exhibition year: 2017-2018
Indigenous curator Jessie Ray Short selected Ekosi by Tamara Lee-Anne Cardinal to be exhibited in Calgary’s Open Spaces windows on the Centre Street LRT platform on 7 Avenue between 1 Street S.E.
Based on Cree teachings Cardinal has received, the work depicts the four stages of life. Four circular pieces are displayed two-by-two in two separate woven structures that comprise Ekosi. The title is a Cree word that can express "that's it; that's the end; alright; good-bye; amen; it is okay," although Cardinal’s usage tends more towards the literal English translation meaning “enough,” asking viewers to consider “what is enough?” The stages are represented by the four circles made of collaged images on a background of empty tea bags, which are woven into a web-like structure of artificial sinew attached directly to the wall by metal hooks.
Learn more about the Open Spaces exhibit.
Title: Ekosi
Artist: Tamara Lee-Anne Cardinal
Exhibition year: 2017-2018
Indigenous curator Jessie Ray Short selected Ekosi by Tamara Lee-Anne Cardinal to be exhibited in Calgary’s Open Spaces windows on the Centre Street LRT platform on 7 Avenue between 1 Street S.E.
Based on Cree teachings Cardinal has received, the work depicts the four stages of life. Four circular pieces are displayed two-by-two in two separate woven structures that comprise Ekosi. The title is a Cree word that can express "that's it; that's the end; alright; good-bye; amen; it is okay," although Cardinal’s usage tends more towards the literal English translation meaning “enough,” asking viewers to consider “what is enough?” The stages are represented by the four circles made of collaged images on a background of empty tea bags, which are woven into a web-like structure of artificial sinew attached directly to the wall by metal hooks.
Learn more about the Open Spaces exhibit.
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Title: This is My Mother's Vision
Artist(s): Joane Cardinal-Schubert
Year completed: 1987
Title: This is My Mother's Vision
Artist(s): Joane Cardinal-Schubert
Year completed: 1987
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Title: Buffalo Hierophany
Artist(s): Jane Ash Poitras
Year completed: 1992
Title: Buffalo Hierophany
Artist(s): Jane Ash Poitras
Year completed: 1992
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Title: One Warrior Hunting Buffalo
Artist(s): Gerald Tailfeathers
Year completed: 1970
Title: One Warrior Hunting Buffalo
Artist(s): Gerald Tailfeathers
Year completed: 1970
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Title: Mostos Otisiy Buffalo Belly Button Brings Sîkwan Spring
Artist: Crystal Clark
Medium: digital
This piece tells a story inspired by Moh’kinsstis, Wîchîspa Oyade, Guts-ists-I and Otos-kwunee. “It pays tribute to our beautiful and energetic spirit of Indigenous Peoples, a sense of the healing of the land and relationships, the return of the bison, and the mostos otisiy, or buffalo belly button, otherwise known as the Prairie Crocus,” says Crystal Clark.
The first sign of spring, reflects Clark, is when the new year begins and is celebrated when the mostos otisiy blooms. “If you look closely you will even see the black capped chickadee (Calgary’s official bird) whose ancestors have also always been here although displaced,” says Clark.
Title: Mostos Otisiy Buffalo Belly Button Brings Sîkwan Spring
Artist: Crystal Clark
Medium: digital
This piece tells a story inspired by Moh’kinsstis, Wîchîspa Oyade, Guts-ists-I and Otos-kwunee. “It pays tribute to our beautiful and energetic spirit of Indigenous Peoples, a sense of the healing of the land and relationships, the return of the bison, and the mostos otisiy, or buffalo belly button, otherwise known as the Prairie Crocus,” says Crystal Clark.
The first sign of spring, reflects Clark, is when the new year begins and is celebrated when the mostos otisiy blooms. “If you look closely you will even see the black capped chickadee (Calgary’s official bird) whose ancestors have also always been here although displaced,” says Clark.