Public art opportunities
Indigenous public art
Art is the storytelling of history. Respecting and sharing the unique, local Indigenous traditions, beliefs and practices through public art helps to share Indigenous perspectives and stories. It serves as a reminder that Indigenous people lived on this land long before Scottish settlers named it Calgary and that every Calgarian has a role to play in acknowledging the past and working toward a brighter future.
The City’s public art collection began growing in 1911 and now has more than 1300 pieces. Each artwork tells a different story about our history, who we are today, and our aspirations for the future; however, less than 3% of the artworks in the collection were created by Indigenous artists. To correct this disparity, we’re taking meaningful steps to improve opportunities for Indigenous artists to consult on, participate in and create public art in Calgary.
We are deeply honoured to be the first municipality in Canada with an all-Indigenous team of arts professionals dedicated to delivering more opportunities for Indigenous artists and increasing Indigenous representation in the public art collection.
For more information, visit calgary.ca/indigenouspublicart
Land acknowledgement
The Calgary area where the Bow and Elbow rivers meet is a place of confluence where the sharing of ideas and opportunities naturally come together. Indigenous peoples have their own names for this area, which were used long before Scottish settlers named this place Calgary. In the Blackfoot language, they call this place Moh’kinsstis. The Stoney Nakoda Nation refer to the Calgary area as Wîchîspa Oyade and the people of the Tsuut’ina nation call this area Guts-ists-i. The Métis call the Calgary area Otos-kwunee.
We want to acknowledge that this project will be located on the traditional territories of the people of the Treaty 7 region in Southern Alberta. This includes the Siksika, Piikani, and Kainai, along with the Blackfeet in Montana, collectively known as the Blackfoot Confederacy; the Îethka Nakoda Wîcastabi First Nations, comprised of the Chiniki, Bearspaw, and Wesley First Nations; and the Tsuut’ina First Nation. The city of Calgary is also home to the Otipemisiwak Métis Government Districts 5 and 6. We acknowledge all Indigenous urban Calgarians, First Nations, Inuit, and Métis, who have made Calgary their home.1
One of the guiding principles of the Public Art Program is to share and provide a voice to the historical context of Calgary, honour that information, and include and embed it in the work going forward. Watch the Calgary Foundation Land Acknowledgement video on YouTube to learn more.
1. Moh'kinsstis Public Art Guiding Circle
Public Art program
The Public Art program’s mission is to provide a responsive public art program from which The City, Calgarians and artists collaborate, exchange perspectives and explore familiar and unimagined situations, subjects and opportunities as they relate to our evolving relationships with our shared history, place and community.
Established in January 2004, the Public Art Program ensures the allocation of 1% for the portion of eligible project capital costs over $1 million up to $50 million; and 0.5% for the portion over $50 million to public art.
The Public Art Policy outlines the diversity of public art opportunities as discrete, semi-integrated, integrated and temporary works and allows for artists on design teams, community-based public art, and special projects such as artist residencies.
The City of Calgary is gradually transitioning key components of public art program operations to Calgary Arts Development (CADA). During the transition period, we are working closely with CADA on community programming, calls for artists, community engagement and the procurement of new public art. Selected artists and artist teams may be asked to work with both organizations throughout their projects. The City and CADA are committed to working with artists and Calgarians to create a positive, meaningful and enriching program for the future.
For more information, visit www.calgary.ca/publicart
Current opportunities
Tsuut’ina Curatorial Mentorship in public art
Call for curatorial mentee
- Who: Artists and individuals interested in gaining work experience as a curator.
- What: Curate a Tsuut’ina educational travelling exhibit for The City of Calgary public art collection.
- Where: Hybrid work, online research, in-person research and events as needed, regular meetings with City of Calgary public art staff.
- When:
- Deadline to apply: April 18, 2025
- Project start: May 19, 2025
- Project end: Dec. 31, 2025
- How much: Curatorial fee of $7,000 + GST
The City of Calgary recognizes and values equity, diversity, inclusion and belonging and unique dimensions of diversity, including race, ethnicity, gender, disability, age, religion, sexual orientation, work style, communication style, learning preferences and others.

About the project
The City of Calgary Public Art Program invites members of the Tsuut’ina First Nation to apply for this paid mentorship opportunity. Individual artists who are interested in curation are encouraged to apply. Prior curatorial experience is not required. This opportunity is open to Tsuut’ina nation members.
The selected individual will work closely with the Indigenous curator, public art conservator, public art liaison, and collections specialist to curate a Tsuut’ina-specific, loanable exhibit that will be available for communities and schools to host. The mentorship will include all aspects of working on a public art exhibit, including but not limited to budgeting, artist visits, exhibit design, curatorial writing, etc. The curator will work with artists from the community to reflect their voices through the exhibit. The curator’s own artwork will not be eligible for the exhibit.
The curated exhibit must be created within a set budget and will include between 4 and 12 artworks/art objects. The curatorial mentee will work under the guidance of the Indigenous curator to create a theme and select artworks to be purchased for the exhibit. They will also work with the public art team to create a portable exhibit and protect the artworks during moves/travel.
Questions and clarifications
Submit all questions in writing to indigenouspublicart@calgary.ca before 4:00 p.m. MST on April 11, 2025.
Goals
This project will:
- Create opportunities for schools and communities to learn about and connect with Tsuut’ina culture through art
- Engage with Tsuut’ina artists
- Grow the public art collection
- Create a loanable exhibit that schools and communities can host for 3 to 6 months at a time.
Artist information sessions
For those interested in applying, free online and in-person artist information sessions are available. Please email indigenouspublicart@calgary.ca for dates, times, and locations. Attendance is not mandatory to qualify for this opportunity.
Budget
The curatorial mentee receives an all-inclusive, maximum budget of $7,000.00 + GST (if applicable) inclusive of travel and expenses. This does NOT include an artwork purchase budget.
The total budget includes, but is not limited to supplies and materials, consultation, time for public engagement, travel, insurance and design fees.
The mentee will be responsible for their project budget and will be paid based on deliverables as per their Scope and Fee contract.
How to apply
Submission package
Eligible submissions will contain:
- Letter/email of interest (maximum of 1500 words) including:
- Your interest in this position.
- Description of how your Indigenous identity and/or cultural understanding will contribute to this work.
- A statement of interest in learning curatorial work.
- Connection to your community.
- Contact information (phone number, alternate number and email address).
* Your submission will be rated out of a possible 100 points as outlined in the evaluation criteria below.
- OPTIONAL: Up to 10 images of your artwork or artwork that interests you. This is optional and is for us to get to know you more.
- Three references: Include contact name, company, current telephone number, address, and email address. You may use past clients, Elders, and community members familiar with you.
*The City reserves the right to contact references without prior notification.
*References from The City of Calgary staff members will not be counted as part of the required references.
How to submit
Email indigenouspublicart@calgary.ca and attach all the required documents. Submissions are accepted in electronic form only.
Please note the following:
- Email subject line should include "Tsuut’ina Curator"
- The maximum file size for an email is 10 MB. You may submit multiple emails to ensure all files are received.
- Links to past exhibits/curatorial writing will be accepted.
- Incomplete or late submissions will not be considered.
Selection process
All eligible submissions are reviewed by a selection panel and are stewarded by a City business unit representative. A member of the Curatorial Panel, an Indigenous member of the public, and city representatives may be on the selection panel.
Applicants may be invited to an in-person or online interview with the selection panel.
Submissions will be rated out of a possible 100 points according to the evaluation criteria below.
*The selection panel has the right to not award any of the submissions, and The City reserves the right to cancel/reissue this opportunity at any time.
Evaluation criteria (100 points)
- Understanding of the project <50 points>
- Why this opportunity appeals to the applicant.
- How the applicant’s knowledge of art and Tsuut’ina world view will contribute to this project.
- Connection to the Tsuut’ina community.
- Effective communication.
- Skills & interests <40 points>
- Clear writing/speaking and understanding of their own culture.
- Clear interest in art and supporting artists from their community.
- Cultural and artistic knowledge
- Public art experience <10 points>
- Public art experience is an asset but not required.
- Experience curating an exhibit is an asset but not required.
- Bonus points: Extra points may be scored if the applicant can:
- Provide proof of verifiable Indigenous ancestry (20 points).
- Provide examples of being connected to communities with letters of reference or providing phone numbers for members of Tsuut’ina who can speak to your connection and presence in the community (up to 20 points).
Working with The City
To ensure the public art project meets project goals and the requirements of the Public Art Program, the artist or artist team will be required to work closely throughout the project with Public Art Program staff and other stakeholders.
Before the confirmation of the award, the selected artist or artist team will be required to:
- Provide proof of verifiable Indigenous ancestry.
- Complete a Scope and Fee contract defining project deliverables and payment schedule.
- Sign a City of Calgary Artist Agreement, which includes Artist General Terms and Conditions.
Administration
The commissioner for this project is:
The City of Calgary
Box 2100, Station M, Calgary, AB, Canada T2P 2M5
Mail code #63
- There will not be any public opening of submissions.
- There is no cost to the applicant to provide a submission.
- Submissions must currently be provided in English.
Blackfoot Curator (Indigenous public art)
Call for curators
- Who: Curators from the Blackfoot Confederacy Nations interested in curating a travelling exhibit.
- What: Curate a Blackfoot educational travelling exhibit for the City of Calgary public art collection.
- Where: Hybrid work, online research, in-person research, events as needed, regular meetings with City of Calgary public art staff.
- When:
- Deadline to apply: April 18, 2025, 4:30 p.m.
- Project start: May 19, 2025
- Project end: Dec. 31, 2025
- How much: Curatorial fee of $12,000 + GST
The City of Calgary recognizes and values equity, diversity, inclusion and belonging and unique dimensions of diversity, including race, ethnicity, gender, disability, age, religion, sexual orientation, work style, communication style, learning preferences and others.

About the project
The City of Calgary Public Art Program invites members of the Blackfoot Confederacy to apply for this curatorial opportunity. Individuals with curatorial experience are encouraged to apply. This opportunity is open to Blackfoot/Blackfeet curators. Individual artists or artist teams/collectives are eligible.
The selected curator/curatorial team will work closely with the Indigenous curator, public art conservator, public art liaison, and collections specialist to curate a Blackfoot-specific, loanable exhibit that will be available for communities and schools to host. The curatorial opportunity will include all aspects of working on a public art exhibit, including but not limited to budgeting, artist visits, exhibit design, curatorial writing, etc. The curator will work with artists from the community to reflect their voices through the exhibit. The curator’s own artwork will not be eligible for the exhibit.
The curated exhibit must be created within a set budget and will include between 4 and 12 artworks/art objects. The curator will work with the Indigenous curator to create a theme and select artworks to be purchased for the exhibit. They will also work with the public art team to create a portable exhibit and protect the artworks during moves/travel.
Questions and clarifications
Submit all questions in writing to indigenouspublicart@calgary.ca before 4:00 p.m. MST on April 11, 2025.
Goals
This project will:
- Create opportunities for schools and communities to learn about and connect with Blackfoot culture through art
- Engage with Blackfoot/Blackfeet artists
- Grow the public art collection
- Create a loanable exhibit that schools and communities can host for 3 to 6 months at a time.
Artist information sessions
For those interested in applying, free online and in-person artist information sessions are available. Please email indigenouspublicart@calgary.ca for dates, times, and locations. Attendance is not mandatory to qualify for this opportunity.
Budget
The curator receives an all-inclusive, maximum budget of $12,000.00 + GST (if applicable) inclusive of travel and expenses. This does NOT include an artwork purchase budget.
The total budget includes, but is not limited to supplies and materials, consultation, public engagement, travel, insurance and design fees.
The curator is responsible for their project budget and will be paid based on deliverables per their Scope and Fee contract.
How to apply
Submission package
Eligible submissions will contain:
- Letter/email of interest (maximum of 1500 words) including:
- Your interest in this position.
- Description of how your Indigenous background will contribute to this work.
- A statement of your curatorial work.
- Experience in project management.
- Contact information (phone number, alternate number and email address).
* Your submission will be rated out of a possible 100 points as outlined in the evaluation criteria below.
- Up to 10 images of past curated exhibits. You can include curatorial statements, support material, or exhibition catalogues. Links will be accepted. Please ensure links are active.
- Three references: Include contact name, company, current telephone number, address, and email address. You may use past clients, Elders, and community members familiar with your work.
*The City reserves the right to contact references without prior notification.
*References from The City of Calgary staff members will not be counted as part of the required references.
How to submit
Email indigenouspublicart@calgary.ca and attach all the required documents. Submissions are accepted in electronic form only.
Please note the following:
- Email subject line should include "Blackfoot Curator"
- The maximum file size for an email is 10 MB. You may submit multiple emails to ensure all files are received.
- Links to past exhibits/curatorial writing will be accepted.
- Incomplete or late submissions will not be considered.
Selection process
All eligible submissions are reviewed by a selection panel and are stewarded by a City business unit representative. A member of the Curatorial Panel, an Indigenous member of the public, and city representatives may be on the selection panel.
Applicants may be invited to an in-person or online interview with the selection panel.
Submissions will be rated out of a possible 100 points according to the evaluation criteria below.
*The selection panel has the right to not award any of the submissions, and The City reserves the right to cancel/reissue this opportunity at any time.
Evaluation criteria (100 points)
- Understanding of the project <25 points>
- Why this opportunity appeals to the curator.
- How the curator’s knowledge of art and Blackfoot world view will contribute to this project.
- Cultural and/or artistic knowledge.
- Connection to the curator’s community.
- Effective communication.
- Curatorial statement <20 points>
- Responsiveness to community engagement and understanding of the project’s cultural context for and in the community.
- Clear writing and understanding of their own curatorial practice.
- Project experience <45 points>
- Demonstrated excellence and experience in curating exhibits.
- Demonstrated experience working to a schedule and demonstrated ability to deliver a project on time.
- Demonstrated ability to meet a set budget and deliver a project on budget.
- Demonstrated ability to collaborate with project teams and other interested parties and engage with the community.
- Demonstrated artistic excellence in project management through past projects.
- Demonstrated flexibility of practice and responsiveness to contextual opportunities.
- Public art and community experience <10 points>
- Previous public art experience is an asset (5 points)
- Demonstrated excellence in delivering public-facing projects (5 points)
- Bonus points: Extra points may be scored if the applicant can:
- Provide proof of verifiable Indigenous ancestry (20 points).
- Provide examples of being connected to communities with additional letters of reference or providing phone numbers for members of Piikani, Siksika, Kainai, and Amskaapi’pikun who can speak to your connection and presence in the community (up to 20 points).
Working with The City
To ensure the public art project meets project goals and the requirements of the Public Art Program, the artist or artist team will be required to work closely throughout the project with Public Art Program staff and other stakeholders.
Before the confirmation of the award, the selected artist or artist team will be required to:
- Confirm status as a company (or sole-proprietorship);
- Provide proof of verifiable Indigenous ancestry
- Confirm a Commercial General Liability (“CGL”) insurance policy for bodily injury (including death) and property damage in an amount of not less than TWO MILLION DOLLARS ($2,000,000.00) inclusive limit for any one occurrence;
- Complete a Scope and Fee contract defining project deliverables and payment schedule;
- Sign a City of Calgary Artist Agreement, which includes Artist General Terms and Conditions.
Administration
The commissioner for this project is:
The City of Calgary
Box 2100, Station M, Calgary, AB, Canada T2P 2M5
Mail code #63
- There will not be any public opening of submissions.
- There is no cost to the applicant to provide a submission.
- Submissions must currently be provided in English.
Logo design for Indigenous Public Art Program
Call for Indigenous designers
- Who: Indigenous designers — all levels of experience are welcome to apply.
- What: Logo design, digital art, and illustration.
- Where: Online/print opportunities with public art and design will represent the program.
- When:
- Deadline to apply: May 22, 2025, 11:59 p.m.
- Project start: May 2025
- Project end: July 2025
- How much:
- Stage one: $1,000 each for three participants (concept development).
- Stage two: $2,000 – $3,000 for the final participant (final deliverables).
The City of Calgary recognizes and values equity, diversity, inclusion and belonging and unique dimensions of diversity, including race, ethnicity, gender, disability, age, religion, sexual orientation, work style, communication style, learning preferences and others.

About the project
The Indigenous Public Art Program needs a new logo. Indigenous designers are invited by the City of Calgary Indigenous Public Art Program to submit examples of previous works as part of the selection process. Three short-listed applicants will be paid to create a solidified concept and present it to the team. From here, one person will be selected to fully realize their design concept and proceed to create the logo and accompanying illustrated graphics for the program.
Experienced Indigenous designers are encouraged to apply; however, Indigenous artists and illustrators familiar with design are also welcome to submit an application. This opportunity is open to Indigenous people who are from or reside in Treaty 7 and Métis Districts 5 and 6. Teams are not eligible to apply.
Questions and clarifications
Submit all questions in writing to indigenouspublicart@calgary.ca or via phone at 403-268-2994 before 4:29 p.m. MST on May 15, 2025.
Goals
This project will:
- Develop a unique and recognizable logo for the Indigenous Public Art Program
- Give experience to Indigenous creatives seeking creative design opportunities
- Reflect the diverse Indigenous groups that make up Treaty 7 territory
- Foster community through design
Artist information sessions
Free online and in-person information sessions are available for those interested in applying. Dates and times will be listed on our website. Attendance is not mandatory in order to qualify for this opportunity.
Budget
Three short-listed designers will receive an all-inclusive, maximum budget of $1,000 CDN (not including GST) to develop a concept and preliminary research for their logo design.
One successful applicant will receive an all-inclusive, maximum budget of $2,000 – $3,000 CDN (not including GST) to complete the logo design and accompanying illustrated graphics (see full details below under the section “Final Deliverables”).
The total budget includes but is not limited to the copyright of the final deliverables, design fees, supplies and materials, consultation, designers' time for public engagement, travel, insurance, and studio fees.
The designer is responsible for the project budget and will be paid based on deliverables per their Scope & Fee Agreement.
Deliverables
Stage one: Short-listed deliverables
Three participants will be selected from the initial submission process to develop a concept for their logo design and accompanying illustrated graphics. Selected designers will need to complete the following:
- Concept designs for the logo as well as accompanying illustrated graphics (including but not limited to sketches, colour pallet, type)
- Preliminary research element that outlines the reasoning for design choices (short written component)
- Presentation of the idea to the Indigenous Public Art Team for further evaluation
Stage two: Final deliverables
One participant will be selected to fully realize their design concept, including but not limited to the following:
- Revised concept designs
- Finalized logo design and appropriate variations
- Illustrated graphics (minimum of three)
- Style guide
- Design statement
*An in-depth list of details regarding the final deliverables for both stages will be provided to participants upon the successful qualification.
Intellectual Property (IP) & Copyright
The City of Calgary will own the copyright to the agreed upon final deliverables produced for this project by the final selected applicant as per The City of Calgary's general terms and conditions. The City of Calgary, at their discretion, may use the final deliverables indefinitely for commercial and non-commercial purposes with credit to the creator where deemed appropriate by The City of Calgary.
How to apply
Initial submission package
Eligible submissions will contain:
- Letter/email of interest (maximum of 1500 words) including:
- Verifiable Indigenous Nation affiliation
- Description of your design practice
- Applicable experience
- Your interest in the project
- Your connection to the Treaty 7 and Métis 5/6 areas
- Contact information (phone number, alternate number, and email address)
* Your submission will be rated out of 100 points as outlined in the evaluation criteria below.
- Up to 10 images of sample work. Ensure your images provide clear and complete views of previous work, with digital scans preferred.
- Image list with a brief description of previous work, title and date of each work, and information on project partners where applicable.
- Three references including contact name, company, current telephone number, address, and email address. You may use Elders and community members familiar with your work.
*The City reserves the right to contact references without prior notification.
*References from The City of Calgary staff members will not be counted as part of the required references.
*Please note that design concepts (proposals for what your final art will look like) are NOT required for the qualifications stage.
How to submit
Email indigenouspublicart@calgary.ca and attach all the required documents. Submissions are accepted in electronic form only.
Please note the following:
- Email subject line should include “Indigenous Public Art Logo Callout Application”
- The maximum file size for an email is 10 MB. You may submit multiple emails to ensure all files are received.
- Links to video work and/or video documentation are accepted.
- Incomplete or late submissions will not be considered.
Selection process
All eligible submissions are reviewed by a selection panel consisting of City of Calgary Public Art team Members and is stewarded by City business unit representative(s).
Designers may be invited to an in-person or online interview with the selection panel.
Submissions will be rated out of a possible 100 points according to the evaluation criteria below.
*The selection panel has the right to not award any of the submissions, and The City reserves the right to cancel/reissue this opportunity at any time.
Evaluation criteria (100 points)
- Understanding of the project <40 points>
- Why this opportunity appeals to the designer.
- How the designer’s Indigenous background and practice will contribute to this project.
- Knowledge of or connection to the Treaty 7 area and Metis Nation Region 3
- Understanding of the project's context in the community both online and in-person.
- Design experience <40 points>
- Demonstrated a strong understanding of creative and accessible design.
- Familiar with research for design (this can be based on Indigenous traditional knowledge and experiences – where does your inspiration come from and how does it influence your design choices?
- Demonstrated flexibility of practice and responsiveness to feedback.
- Project experience <20 points>
- Experience working to a schedule and demonstrated ability to deliver a project on time.
- Demonstrated ability to meet a set budget and deliver a project on budget.
- Demonstrated ability to collaborate with project teams and other interested parties and engage with the public.
Working with The City
To ensure the public art project meets project goals, as well as the requirements of the Public Art Program, the selected applicant will be required to work closely throughout the project with Public Art Program staff as well as other stakeholders.
Before the confirmation of the award, the selected participant will be required to:
- Provide verification of Indigenous ancestry.
- Complete a Scope & Fee Agreement contract defining project deliverables and payment schedule.
- Sign a City of Calgary Scope & Fee Agreement, which includes General Terms and Conditions.
Administration
The commissioner for this project is:
The City of Calgary
Box 2100, Station M, Calgary, AB, Canada T2P 2M5
Mail code #63
- There will not be any public opening of submissions.
- There is no cost to the applicant to provide a submission.
- Submissions must currently be provided in English.
Definition of a Professional Artist: Canadian Council for the Arts
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